Friday, August 5, 2011

Branding My Design Services



Branding is important in every business, but in a creative business it is even more so.  The ambiguous nature of a creative business is such that it's hard to stamp it with any one concrete idea.  It's even harder when that business has to function in so many different ways. Interior design is particularly challenging in that regard.  I have done so many different things on projects over the years as most designers often do.  You kind of become the resident aesthetician for all things when you start working with a client.  I've done everything from design exterior facades and lay out gardens to arrange bookcases and decorate for events.  Sometimes it's just all over the place and that's just the way I like it.  I like to have as much input as I can, anywhere I can.... because I always have an opinion.  An opinion that comes from years of experience and a formal education, but most importantly, a driving passion for design.

Many designers brand themselves with a certain style and don't really welcome projects that deviate from that style.  I think these designers find it easier to brand themselves. Clients seek them out particularly for their knowledge and expertise of that style.

Not for me.  I'm not glued to any one style. I love the difference between each project. I like the challenge of working on a modern bathroom, an old world style living room, and a craftsman style kitchen all in one day.  I like working with the unique requests of my clients and coming up with solutions that are perfect for them. 

So how do I define that?  What can I produce for a client? What services do I offer?  What do you know you're getting when you hire me?  I'm constantly reassessing this and trying to hone it into a quick soundbyte.  It's never easy.

I recently looked back at many of my projects looking for a common thread and they are just all over the place in terms of design style and type.  So many different kinds of projects.  Again, I like that.  I remembered each one and what the client requests were and how I came up with the solutions and design.  They were all unique.  I was recently with a new client going over my portfolio and I kept thinking I'd done something similar to what she was wanting in the past for her to see, but no, hers was going to be different.

I sat down and considered what were the most important things I want to bring to my clients. 
  • Solve the problems in the space they are requesting I address.
  • Solve the problems they don't really see that they have.
  • Make it beautiful or striking or relaxing or whatever their adjective is.
  • Clean it up.  I do like a clean aesthetic.
  • Bring ideas to the table that they wouldn't think of themselves.  That is why they're hiring me.
  • Think big. After all, I'm the creative one. I have to have the big ideas.
  • Make it magazine worthy. That means it needs to have unique, eye catching moments.
  • Make it long lasting.  Sure, there will be things that get dated over time, but the things you invest heavily in should last.
  • Don't leave the elephant in the room. When I complete a project, I like to have brought everything up to the same level of quality.  So many times people have their wish list and it doesn't include updating the big thing in the room that's going to take everything else down with it.
  • Bring more value to the property. I always try to recommend improvements whether it's tweaking new construction plans or ideas for remodeling that would add value to the home. Even if it's just something that would make your house sell faster if it was on the market.
Notice the words, "stay within budget" are not included.  I have found that when clients tell me their initial budget numbers they usually aren't aware of what things cost. Many times their wish lists are far greater than their budgets.  They also sometimes include things on the list that I might feel aren't necessary to get them their end result.  They don't know what I'm going to think up for them or how much I'm going to do.  After all, they're hiring me for ideas. Something they haven't thought of.  How can they budget for that?

Now, I can work within a realistic budget, but I first like to show you what you can have.  Really 9 times out of 10, people go for it all or do it in stages because they love the design and it's something they would not have thought of.  I also find that original budget numbers are usually very conservative on their part. Most people don't tell you the maximum they'll go to right off the bat.  They approach it like a negotiation, starting low but their ceiling is almost always higher.  Not to say that you shouldn't hold back money for contingency, I'm a firm believer in that.  It's just that my experience has been that fresh ideas brought to the table can trump the cost factor.

I know, that last bit might alienate some future clients.  I hope it's taken in the right way.  Honestly at this point in my life I want projects where I can make a big impact and clients that are willing to go there with me.  I'm there to work for them, but my time is precious.  I'm not a part-time designer. I work all the time, nights and weekends too. I have clients waiting on me, repeat clients, so I have to spend my time on projects that will move my career and business forward.  I put a lot into the projects I take on and I want to make something special out of each and every one of them.  I prefer larger projects that will showcase my input. Oh, and I need to get paid for it.....on time.  :)

When I designed my studio almost two years ago, I purposely did not do a shop or a showroom. I didn't want to have a supply of items that I had to move through the doors to stay in business.  Again, I'm not all about one single style.  In one of my projects I may need rustic accessories and linen upholstery, in another I might want modern statement art and sleek leather.  I can't afford the square footage to have everything in there I might want to use on all my varied projects.  I actually do a lot of custom designed pieces.  Again, solving the unique problems of my clients in very particular ways. 

I also contemplated the multi-designer firm concept.  I decided I just can't let go enough to do that.  I've worked so hard to get here.  With my name on the door, I want to have my hand in all the design decisions. Not only that, I have a hard time trusting anyone else to read my mind and tend to the details the way I want. I like working with support, but I don't need someone who is a second "me".

 "Aston Design Studio", my business name, really states what I do. It's me, doing design, not in a retail store or with other designers in tow, but in my own studio.  I think the word studio conjours up the notion of "art" being created.

A few years ago I developed my mission statement or design philosophy and in my review, after all my re-examination, I think it's still pretty accurate, albeit a bit wordy.  Still looking for the soundbyte.:/

"My goal is to bring thoughtful, well-crafted, timeless design to each project I pursue.  The type of clients I have appreciate the time and effort I put into the design process and the high regard I have for this pursuit.  They benefit from my passion and interest in good design.  I enjoy collaborating with them to create a space that reflects their personalities, interests, and style.  Along with my clients, I want to love and be proud of each and every end result.” 


Have you branded your business? Your image? Your blog?  Was it a soul searching process for you?  Did you know what you wanted to put out there right away or did you grow into it, trying other things out along the way?  I would be interested to have your comments! 

Sunday, July 31, 2011

Window Treatments Part 1 - Color and Contrast


Kelly Hoppen - Elle Decor website

Beautiful window treatments can add so much to a space.  Drama, color, pattern, softness.  See how the window treatments below all make a significant design statement in each environment. They've all been used to add color to an otherwise white space.  

 Elle Decor

Mmmmm - malachite!



Christopher Maya - House Beautiful




Amanda Nesbit - House Beautiful



House Beautiful



Mary McDonald - House Beautiful

Drama with high contrast in Mary McDonald's work.



Robert Courterier - Elle Decor



Milly de Cabrol - House Beautiful



Jonathan Adler - House Beautiful




Lynn Morgan - House Beautiful

The woven woods in this project above add warmth and a casual vibe to the space.

Contrasting, colorful window treatments can liven up a space and add so much personality to a room.  Do you have any in your home?

Sunday, July 24, 2011

Carrying Wall Finishes Up on the Ceiling



Windsor Smith - House Beautiful

Carrying a wall finish up on to the ceiling is a wonderful trick used to expand a space and make the planes of the walls and ceilings disappear.  It's very effectively used with low ceilings, oddly angled ceilings, and in spaces where the intent is to wrap the room in an envelope of sameness so that objects and furnishings stand out.  I love how Windsor Smith, above, used the patterned wallpaper to visually raise that ceiling.


Leslie Klotz - House Beautiful

Imagine how low this ceiling would have felt if there had been contrast between the upper wall and the ceiling. What a great use of this little trick.



Barbara Westbrook - House Beautiful

See that little odd angle in the left corner above?  It would have been accentuated if there had been a difference between the wall and ceiling.  As it is your eye goes straight to the artwork, then the marble below.  That funny angle is hardly noticeable.



Amanda Kyser - House Beautiful

Imagine the low angles painted in a different color as the "ceiling". It would've sliced into that space and drawn your attention away from the vibrant rug and interesting wall of books.



M. Elle Design - Elle Decor

This space soars all cloaked in the same color wood.



Leslie Klotz - House Beautiful




Skye Kirby - Traditional Home



Tom Scheerer -  House Beautiful




Keith McNally  - Elle Decor


Healing Barsanti - House Beautiful

How effective was it to paper the soffit running around the room?  It visually raised the ceiling another foot. 

Another fabulous design tool that makes a big impact!



Please excuse my absence this past week.  Many projects are on the boards and under construction!  I'm looking forward to sharing lots in the fall!

Friday, July 15, 2011

Flokati Giveaway Winner!


The winner of the flokati rug is Kate! I used random.org for the raffle. Thanks so much everyone for entering and for following my blog.  It's so nice to meet new people this way.

Kate, send us a pic of the flokati in your home!  Send me your address too, so I can get it sent asap. 



Thanks again, everyone!


Sunday, July 10, 2011

Contrast = Drama



Contrast is one of my favorite tools in design and one I feel makes the biggest impact visually in a space.  This photo above from Traditional Home, designer - Melanie Elston, demonstrates the drama created by the high contrast between the lights and darks in the space.  The curves and beautiful shapes of the chair and sconce really pop off that dark color.



You often see drama in foyers or entrance halls. People like to wow their guests when they come into their home, so high contrast is often used here.  The dark railing and dark wood treads on the stairs highlight that graceful curve and really add drama in this space.


Hortenisa Vitale - Elle Decor

Those fabulous light fixtures really stand out against the dark chocolate walls.




Courtnay Daniels Haden - Elle Decor

The dark rich, lacquered doors and newel post in the light environment really make for a dramatic foyer.


Kerry Joyce - Elle Decor

Contrast is best used when you want something to stand out and other elements in the room to take a back seat.  These beautiful balusters and the art really stand out in the light environment.  In a wood paneled space, they would have all blended in and been hardly noticeable.



Vicente Wolf - Elle Decor



John Saladino - Architectural Digest

I love the simplicity of this stairwell.  He used the same material on the stair and the wall beyond to add drama and make that stairwell go on forever.  The contrast between the wood and walls focuses your eye and leads you up the stairs.



Martin Lawrence Bullard - Architectural Digest

Lots of drama here in Ozzy and Sharon's home.  Of course!



Michael Formica - Elle Decor

The chest and walls all blend together to make a nice backdrop for the objects and lamp base in this tablescape.  Not only the contrast in value, light/darkness, but the contrast in texture makes these pieces stand out.



E. Claudio Modolo - Architectural Digest

Drama in the bedroom.  Those fabulous carved headboards make such an interesting pattern against the light walls.  It really telegraphs the location of this property on an island off the coast of Kenya.


James Radin - House Beautiful

The high contrast of the dark Windsors in this white kitchen calls attention to the traditional style of this home. They become sort of delicate sculptures in this space.


Michael Graves - Traditional Home

I love how the contrast of the dark window frame firmly establishes the grid pattern motif used in the cabinet fronts and really draws your attention to the view.


Suzane Kasler - House Beautiful

Contrast doesn't have to be just black and white.  It's about the difference in value.  This vibrant red background helps this collection of pond yachts to stand out in their case.



Juan Montoya - Architectural Digest

The distinct X pattern in the windows and the wood trim and furniture are highlighted by the use of high contrast here. 



Gary McBournie - House Beautiful

Do you think this incredible ceiling would've been noticed as much if the cabinets and walls were a wood tone? 


Veranda

The high contrast of the trim on the white bed linen highlights the detail.  Headboard and lamp are subtle repetitions of the trim detail's shape.



Mary McDonald - Veranda

I've always thought of Mary McDonald as the queen of contrast.  Her interiors are always full of drama!




Mary McDonald - Veranda




Mary McDonald - Veranda




Susan Tully - House Beautiful

I love how the similar shape of these light fixtures and stools are highlighted by the contrast between them and the envelope.



Healing Barsanti - House Beautiful

The beautiful wood finish on this island with it's curvy rope legs stand out in this creamy kitchen.  If the floor had been a dark wood, it would not have been such a strong visual.


I've been wanting to do this post for some time.  Contrast and other tools used to create the desired end result in a space always fascinate me.

Don't forget to leave a comment on THIS POST for my Flokati give away!  Drawing will be done next Friday!


Tuesday, July 5, 2011

Flokati Give Away!


I'm giving away this 8 ft. round wool flokati rug that I used in my Showhouse space this past spring.  Premium quality, Greek, 3000 grams/m2, my cost was $765.00. Color: Natural.  Shipping is free in the lower 48 states.

Flokati rugs have an interesting history, dating back to the 5th century AD.  Originally from a village in Greece, where shepherds wove the wool from their sheep for blankets to keep them warm.  The story goes that one day, the shepherds left a blanket in the waters of a stream and when they went back to get it, they found the backing had felted together and the wool had unraveled to create the pile.  Word spread across Greece and the Flokati became a popular product, used in all kinds of ways.

Flokati rugs gained popularity in America in the 70's when shag rugs and carpets were in style.  Now it has become popular again, bringing a luxurious, retro feel to modern interiors.  To get more information on flokati rugs, see flokati.com.

It was so funny to see the reaction to the flokati in my Showhouse room.  Some people had no idea what it was and then there were people who commented that their mother or grandmother or aunt had one years ago.  One middle aged man commented that he took his mom's flokati to college with him for his dorm room/bachelor pad.  He said that rug saw some great times!  



Flokati rugs come in varying pile heights or weights.  You may find an 8 ft. rd. flokati at a much cheaper price, but if you look at the weight, you will see the difference.  There are also a lot of imitation wool rugs out there too, but a real flokati is 100% wool.  It does not have a stiff backing, they are actually quite lightweight, and fold up like a bath mat. 

Here's an example of the pile height/weight difference in quality levels.

 1400

 2000

 3000 - (This rug is 3000!)

4000

You can't vaccuum them, you just shake them out. For a deeper cleaning, wash them in the tub and then hang to dry. You can even comb them with a dog brush to separate the fibers and fluff them up. More details on cleaning a flokati can be found here.



To Enter,

FOLLOW this blog publicly with Google Friend Connect or Networked Blogs

LEAVE A COMMENT that you are a follower.

LIKE Aston Design Studio on FB to get another entry and LEAVE A COMMENT that you have done so.

Drawing will be done on  Friday 7/15/11 at noon, central time.

I'm looking forward to meeting some new followers and having this luxurious rug go to a happy home!


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